"He buys me books, but begs me not to read them, because he fears they joggle the mind.
I would like to learn. Could you tell me how to grow, or is it unconveyed, like melody or witchcraft?"
---Emily Dickinson

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Justine Dymond
Fiction Editor
 

 


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Summer 2002

other fiction here

Five Ways to Eat a Grapefruit
by Alyssa Colton


1.

Your grandmother slams down a small wooden bowl. A funny-looking spoon clatters inside. You’re seven years old and you can just barely eat at the kitchen table without a booster seat. The spoon reminds you of the plastic utensils at school. Yesterday your age was 128, the number on the rounded fork, according to the game you and Katie play.

Inside the wooden bowl, which has been the object of your grandmother's anger (among others) because really she is mad at your mother, who has left your father again--"and I really mean it this time"--is a round, pinkish-yellow fruit. It looks like an orange, but yellower and larger.

Your grandmother spoons fine, white sugar out of a small glass bowl and sifts it over the fruit. You're never allowed to put sugar on anything. When your grandmother turns to the refrigerator to retrieve your milk you scoop the sugar from the fruit and lick it off the spoon. It tastes slightly wet and sour, and the jagged edge of metal scrapes your tongue.

Your grandmother pours your milk into a small purple plastic cup with a small lip. You resent her using the same cup you used when you were a baby and didn't know how to hold it yet. Last time you were here you pouted until Mom gave you an adult cup. Grandma apparently doesn't remember this.

Grandma sits down and sees you staring into the bowl.

"It's grapefruit," she says. Her tone smites you. You feel like it's your fault your mother has left your father again. Perhaps, if you had been good--if you hadn't drawn a lady on the TV screen with your purple crayon (though you had tried to explain that you were tracing, like you traced in the book your uncle had given you for Christmas, and anyway, Harold did such things, why couldn't you?)--perhaps your mother wouldn't have left your father yet again.

You dig into the grapefruit, the way you see your grandmother doing it. You try not to show your distaste as you eat. You will be good. When Grandma gets up, you spoon more sugar onto the fruit. You don't dare do it in front of her. Surely you are only allowed a small taste of sweetness.

You wonder why it's called grapefruit. It has no resemblance to the clusters of green globes your mother leaves out on the seat next to her to pick off while she's driving home from the store. Real grapes are sweet and have a way of cleansing your mouth. Eating the grapefruit is like coming to Grandma's: it sours the mouth, but the sugar melts it down.

Read the rest of the story here...

Poet Meets Counselor
by Patti See


I am to tell the kind-faced, middle-aged woman in the easy chair before me—a stranger—that I am planning to leave my husband of ten years. When she asks why I’m here I tell her I want to separate with grace and strength. I want to know if there’s any way to make a good divorce. She nods her kind face. Go on, go on.

I say, "I want to establish a relationship here in case my husband and son need some assistance during this lifestyle change." I am good at euphemisms. Assistance? As if this is comparable to a car breaking down on the highway or a homework hotline answer to a math problem. I cannot do this alone. Is that why I’m really here?

Women like me don’t go to counselors. We talk to our girlfriends in a crowded bar at happy hour, make plans on cocktail napkins about who we want to grow up to be, the lives we’ll have at forty or fifty. We dig in, buck up, cry over homemade soup slow to boil or whites hung out on a crisp spring day, believe everything will get better tomorrow or next year. We don’t make an appointment weeks in advance to tell our troubles to a stranger. Did I make the call because I know my life with my husband will not get better? Because I know when to seek out an expert?

Judy Marshall doesn’t look like an expert. She’s a forty-five year old woman with long auburn hair pulled back in a barrette, a navy blazer and sensible shoes. Her desk is pushed against one wall covered in Anne Geddes’ photos of babies in caterpillar outfits and cabbage hats. Along another wall a ratty plaid loveseat and recliner are squared off giving her office a part Brady Bunch den, part cubicle feel. On a bookshelf are tattered stuffed bunnies, Barbie dolls in short shirts, a tin dollhouse with plastic people and all the props of a home, and puzzles in torn boxes that a newcomer might guess are missing a piece or two. Judy is a marriage and family counselor who sees clients—children—in worse shape than I am. For a moment, eyeing the toys, I feel guilty. I am merely unhappy in a stagnant marriage. No fights, no abuse, no bruises. What makes me think I belong here?

Contemplating my appointment the night before, writing down notes I wanted to get to, was somewhere between preparing for a job interview or face to face confession. What will I wear? What will I say or gloss over or leave out altogether? How many Hail Mary’s this time? What will be my punishment?

I knew only this counselor’s name, so I imagined her as "Judge Judy," someone to tell me like it is, to straighten me out once and for all. Last night I fell asleep thinking, I’m the boss, Applesauce.

This morning, applying mascara, I realized that I have never spoken truth to a stranger without a bar between us.

I am relieved that this is merely a get-to-know-you session. Judy asks questions from an initial interview form.

Read the rest of the story here...

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