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CFP Special Issue
Lit Candles: Feminist Mentoring and the Text

April Gentry and Teri Schell
Savannah State University

Women Writers is now accepting paper proposals for our Special Guest Issue, Summer 2005. See the following details for all scholarly papers submitted to the zine for this next issue. No scholarly or "personal" essays, other than the themed submissions, will be accepted for the next issue. Poetry, fiction and book reviews will be on a case-by-case basis.


March 2005

"If you have knowledge, let others light their candles in it."
- Margaret Fuller

The field of women's studies has devoted increasing attention to the ways in which women act as mentors for other women. Most such scholarship has centered either on pedagogical approaches to feminist mentoring in academia or on networks of professional support between women. These two areas of inquiry, however, scarcely account for the ways in which women mentor and are mentored by other women-especially among "third wave" feminists. For this issue of Women Writers, therefore, we would like to examine the ways in which women create mentoring relationships through the creation of and attachment to texts. We hope to bring together a collection of pieces that will both celebrate and interrogate these relationships.


We contend that productive educational and political relationships take place between women and texts. Texts play a crucial role in many women's self-construction as women and their coming to consciousness as feminists. Identification with a particular character like Jo in Little Women or Janie in Their Eyes Were Watching God, for example, often gives women the guidance and self-knowledge a real-life mentor would provide. Such identification can extend beyond the text to a feeling of apprenticeship under the author, often resulting in another form of text-based mentoring. Autobiographical or nonfiction writing provides an especially powerful form of textual mentorship, linking women's lives across vast distances of time, geography, and subjectivity.


We are also interested in the ways in which texts help create or facilitate mentoring relationships between real women. Mentoring relationships between women writers have traditionally received less attention than those between women artists and their more experienced (or more recognized) male counterparts. Can men in these situations act as feminist mentors-with or without intentions of doing so? What valued and valuable relationships between women artists deserve more attention, and what can we learn from them? Sharing texts can also bring women together in professional and academic mentoring relationships-as is the case for the co-authors of this proposal, professor and student. We are interested in further examination of the ways in which textual mentorship has the potential to equalize power or modify the traditional structure of the mentor/mentee dyad.


Finally, we are interested in textual representations of mentorship; Amy Lowell's poem "The Sisters" provides one clear example. We will invite analyses of such texts as well as creative submissions that reflect on or otherwise represent women and their mentors. We are also interested in interviews between women and their mentors.
In the spirit of mentorship, we hope to especially encourage collaborative or paired submissions by women and their mentors.

Potential areas of inquiry may include (but are not limited to):

  • How is the process of coming to consciousness as a woman—and/or a feminist—facilitated by textual mentors?
  • What role do texts and their authors play in mentoring women?
  • How do portrayals of women’s mentoring relationships differ between male and female writers?
  • What texts in particular have served as mentor-texts for feminist readers? Which characters stand out as role models, inviting personal relationships with readers?
  • How do women’s reading groups take on mentoring functions?
  • How do texts facilitate mentoring relationships between individual women readers within and outside of academia?
  • How does feminist mentoring differ from more traditional female bonds like motherhood, sisterhood, or friendship? How do these kinds of relationships inform or impact mentoring?
  • How are they textualized in similar or different ways?
  • What similarities and differences exist between relationships of inspiration (Gertrude Stein and Alice B. Toklas, for example) and relationships of mentoring?
  • Who have been the mentors—real or textual—for women writers? In what ways do patron/protégé relationships act as (or act against) other models of mentoring?
  • How do race, class, age, or sexual orientation influence mentoring relationships? How are these factors mediated by textual mentoring?

We also invite original creative works of fiction or poetry taking on any aspect of women, mentoring, and texts. Interviews between women and their mentors are also welcome.

We especially encourage collaborative or paired submissions by women and their mentors.

Submissions are due no later than midnight EST on 1 May 2005. Please see full submission guidelines at http://www.womenwriters.net/contribute.htm.

Submissions formatted for the web (.html, hypertext) will be especially regarded, but are not required.

Contributions should be submitted to the Guest Editor in digital form:
*text-based contributions should be saved as Microsoft Word documents (.doc or .rtf), Word Perfect documents: (.wpd), or web-ready documents (.html).
*images should be saved as jpegs (.jpg) or gifs (.gif)

For information about submitting material in media formats that are not listed above, contact Kim Wells

Please consult The MLA Manual of Style for proper manuscript form. All manuscripts or correspondence regarding the submission of manuscripts will be directed to the Guest Editor of the issue to which you wish to contribute.

Women Writers is listed in the LOC, ISSN#: 1535-8402535-8402, has had almost 60 MILLION viewers since its creation in 1998, and is a peer reviewed publication that features original fiction and poetry by women writers, scholarship on any aspect of women writers and/or women's studies, personal essays, book reviews, film reviews, and website reviews. This is an excellent opportunity to expand your "service" events; most tenure committees view web publication as equivalent to or slightly better than conference attendance and participation. See the site's mission statement for more information: http://www.womenwriters.net/editoralboard.html

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